Monday, 31 December 2012
04:24 | 
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Alex McDowell talks about previs Video Clips. Duration : 3.62 Mins.
An advocate of immersive film design, Alex McDowell integrates digital technology and traditional design technique, creating a production design process that allows for unprecedented control over the look of the final film. He started incorporating digital design into his work with Fight Club. He sophisticated the process in 1999 with a fully integrated digital design department for Steven Spielberg's Minority Report, creating an intensely researched world of 2054. For Spielberg's The Terminal, he set up another cutting-edge art department to realize a full size airport terminal, the largest architectural set ever built for film. Here Alex talks about the Pre Vis design of Tim Burton's Charlie and the Chocolate Factory
An advocate of immersive film design, Alex McDowell integrates digital technology and traditional design technique, creating a production design process that allows for unprecedented control over the look of the final film. He started incorporating digital design into his work with Fight Club. He sophisticated the process in 1999 with a fully integrated digital design department for Steven Spielberg's Minority Report, creating an intensely researched world of 2054. For Spielberg's The Terminal, he set up another cutting-edge art department to realize a full size airport terminal, the largest architectural set ever built for film. Here Alex talks about the Pre Vis design of Tim Burton's Charlie and the Chocolate Factory
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